The methodology followed in this book is almost entirely based on a careful and systematic analysis of the range and multiplicity of the styles of dress and ornament worn by the figures represented in the scenes that have been painted and sculpted on the five tiers of the temple's gopura. We can thus identify the people, determine their ranks and discern the relations between social groups, whether officials, administrators, soldiers or commoners. This study offers us a veritable mirror of Nayaka times.

 

Keywords: society, Nayaka, dress, ornament